Dr AU, Chung To
區仲桃
博士
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Associate Head / Assistant Professor |
Department of Literature and Cultural Studies |
Contact
ORCiD
0000-0001-7387-0187
Phone
(852) 2948 7178
Email
auct@eduhk.hk
Address
10 Lo Ping Road, Tai Po, New Territories, Hong Kong
Scopus ID
57189356148
Research Interests
Comparative studies and cultural studies, Modernist theories and literary works, Modern and contemporary literary theories, Modern and contemporary Chinese literature, Travel writings
External Appointments
- Macao Daily columnist: weekly (Mondays)column on travels
- 27-29/11 2009 澳門文學獎散文獎評審
Personal Profile
Dr Au Chung-to earned her PhD in Comparative Literature from University of Hong Kong. She obtained her MA in Comparative Literature from University of Oregon, Eugene and BA from University of Macau. Prior to joining the Institute, she was Assistant Professor at University of Macau.
Research Interests
Comparative studies and cultural studies, Modernist theories and literary works, Modern and contemporary literary theories, Modern and contemporary Chinese literature, Travel writings
External Appointments
- Macao Daily columnist: weekly (Mondays)column on travels
- 27-29/11 2009 澳門文學獎散文獎評審
Research Outputs
| Scholarly Books, Monographs and Chapters Research book or monograph (author) 區仲桃 (2023)。 《無歲無事：澳門現代主義詩潮導論》。澳門: 澳門特別行政區政府文化局學術及出版處。 區仲桃 (2020)。 《東西之間：梁秉鈞的中間詩學論》。香港: 中華書局（香港）有限公司。 C. T. Au (2020). The Hong Kong Modernism of Leung Ping-kwan. Lanham, MD: Lexington Books. Au, Chung to (2008). The Aesthetics of Taiwanese Modernist Poetry since 1950s. Leiden, Boston: Brill. Chapter in an edited book (author) 區仲桃 (2022)。 <劉以鬯的「三毫子小説」和現代主義的關係>。輯於葉倬瑋、陳智德、賴宇曼、李卓賢編， 《落葉飛花：香港三毫子小說研究》 (141-151)。香港: 天地圖書有限公司。 C. T. Au (2021). "Xia Yu". Christopher Lupke, Thomas E. Moran eds., Dictionary of Literary Biography, Volume 387: Chinese Poets Since 1949 (195-201). Farmington Hills, MI: Gale, A Cengage Company. 區仲桃 (2018)。 〈評論 . 香港〉。陳國球， 《重遇文學香港》 (270-277)。Hong Kong: 商務印書館。 C. T. Au (2017). Reading Colonial Dis-ease/Disease in Hong Kong Modernist Fiction. Stephanie M. Hilger, New Directions in Literature and Medicine Studies (267-280). London: Palgrave Macmillan. 區仲桃 (2015)。 <殖民城市的記憶與遺忘：論香港現代主義詩人梁秉鈞的詩歌特色>。王德威、陳平原、陳國球， 《香港：都市想像與文化記憶》 (194-206)。北京: 北京大學出版社。 區仲桃 (2015)。 <王蒙小說中的意識流>。朱壽桐主編， 《論王蒙的文學存在》 (頁88-103)。南京: 南京大學出版社。 區仲桃 (2011)。 <論東西文化發展的時差：以羅門“燈屋”的美學思想為例>。單周堯主編， 東西方研究 (519-528)。上海，中國: 上海古籍出版社。 區仲桃 (2010)。 ＜都市漫遊：試論香港現代主義詩潮的終結＞。香港中文大學中國語言及文學系, 香港教育學院中國文學文化研究中心， 《都市蜃樓:香港文學論集》 (219-230)。香港: 牛津大學出版社。 區仲桃 (2010)。 ＜香港現代主義的新文學傳統＞。朱壽桐， 《漢語新文學通史》(下卷) (485-494)。廣州: 廣東人民出版社。 區仲桃 (2009)。 <非場地：試論澳門現代主義美學思想>。澳門大學社會科學及人文學院中文系中國文化研究中心， 《中西會通與文化創新 -- 二十一世紀中華文化世界論壇國際研討會論文集》(上,下)冊 (461-478)。澳門，中國: 澳門大學社會科學及人文學院中文系中國文化研究中心。 區仲桃 (2008)。 ＜另一種旅人: 試論歸來者的身份＞。張雙慶、危令敦， 《情思滿江山 天地入沈吟：第一屆世界華文旅遊文學國際學術研討會文集》 (169-182)。香港: 明報出版社有限公司。 區仲桃 (2008)。 ＜記憶的詩學: 論臺灣現代主義詩歌中的 “虛構記憶”＞。樊善標、危令敦、黃念欣， 《墨痕深處──文學、歷史、記憶論集》 (538-555)。香港: 牛津大學出版社。 |
| Journal Publications Publication in refereed journal C. T. Au (2023). Georg Brandes and the Development of the Chinese Lyrical Tradition. AUC PHILOLOGICA, 2023(1), 63-76. https://doi.org/10.14712/24646830.2023.15 區仲桃 (2022)。 <澳門現代主義詩中的「詩史」傳統>。 中國現代文學，第41期，67-91。 區仲桃 (2021)。 〈香港抒情傳統論述的形態：以〈客途秋恨〉在《胭脂扣》及〈永盛街興衰史〉的轉化為例〉。 清華中文學報，26，259-301。 C. T. Au (2021). Out of the Ashes: On Hong Kong Literature Studies 2010-2020. Archiv Orientální, 89(2), 429-442. C. T. Au (2020). Book Review: Chinese Poetic Modernisms. Rocky Mountain Review of Language and Literature, 74(2), 238-242. 區仲桃 (2020)。 <民國女子：張愛玲對理性的接受情況>。 民國文學與文化研究集刊，第6期，258-271。 區仲桃 (2019)。 <劉以鬯的香港現代主義>。 名作欣賞，1，58-63。 區仲桃 (2018)。 〈想像「民國文學」：馬朗在《文藝新潮》中的「民國文學」想像〉。 民國文學與文化研究集刊，第3期，頁94-119。 區仲桃 (2017)。 也斯旅遊文學中的多元角度。 《中外文學》，46（1），46-75。 區仲桃 (2015)。 詩經練習：試論梁秉鈞對香港現代主義詩歌抒情性的繼承。 《淡江中文學報》，第32期，313-330。 區仲桃 (2015)。 〈評陳國球：抒情中國論〉。 《漢學研究》，第33卷第1期，327-333。 Chung-to AU (2013). Contesting Space in Semi-colonial Shanghai: The Relationship between Shanghai's Modernist Poetry and the City. Asian Studies, I(XVII), 107-123. Au Chung-to (2011). "Colonized Modernism: A Study of the Characteristics of Dai Wangshu's Modernist Poetry". Korea Journal of Chinese Language and Literature, 1, 315-331. 區仲桃 (2011)。 張冠李戴:論「中國勃朗寧夫婦」羅門、蓉子的詩歌特色。 《韓中言語文化研究》，25，511-529。 區仲桃 (2009)。 <《張愛玲的文字世界》之書評>。 《東方文化》，42(Nos. 1&2)，282-287。 區仲桃 (2009)。 <另一種旅程: 論也斯詩中 “往回走”的旅程>。 《文學論衡》，15，56-64。 區仲桃 (2008)。 ＜想像臺北: 論羅門詩中的城市書寫＞。 《南大語言文化學報》，第七卷第一期，57-84。 Publication in non-refereed journal 區仲桃 (2016)。 〈留白深處：閱讀《抒情中國論》的幾種方法〉。 《香港作家》，6，11-16。 區仲桃 (2010)。 <讀也斯《後殖民食物與愛情》的一種方法>。 《百家文學雜誌》，11，27-31。 區仲桃 (2010)。 ＜ “翻譯”現代主義: 論鄭愁予、羅門接受現代主義的情況＞。 《中文集刊(三)》，3，95-109。 |
| Conference Papers Invited conference paper 區仲桃 (2020，12). 〈西西的玩具：都市漫遊者的另一種可能〉。「 浮城的故事：西西國際學術研討會」，香港。 區仲桃 (2010，12). <後殖民城市的記憶與遺忘: 論香港現代主義詩人梁秉鈞的詩歌特色>。香港: 都市想像與文化記憶，香港。 區仲桃 (2010，9). <偵探與醫生：論張愛玲作品中的理性象徵>。「張愛玲誕辰九十周年國際學術研討會」，香港。 Refereed conference paper Au C. T. (2023, September). "A Study of the Relationship between Lomen's Poetry and his Poetic Theory". Gravity and Grace: Aesthetic Constellations in Contemporary Chinese, Sinophone Canadian Poetry, Canada. Au C. T. (2023, August). “Ma Lang’s ‘Ghost Ship’ and Early Hong Kong Modernism”. 2nd Academic Conference on 30 Cents Novel, Hong Kong. Au, C.T., & Wei, Y. (2023, June). The Fundamental Tenets of Early Hong Kong Modernism [Paper presentation]. Thinking Storytelling in Hong Kong: Traditions, Practices, Opportunities, Hong Kong. https://web.chinese.hku.hk/en/general_information/events_detail/292/ 區仲桃 (2023，5). 〈澳門現代主義詩人懿靈作品中想像的香港現代性〉 [論文發表]。「世界語境中的香港與嶺南文化」學術論壇，香港，中國。 https://www.eduhk.hk/lcs/event/conference-20may2023 Au C. T. (2019, October). "Hong Kong Modernism of Stephen Spender: A Study of Wenyi Xinchao". The Modernist Studies Association Annual Conference: Upheaval and Reconstruction, Toronto. Au C. T. (2019, September). “Inventing Everyday Life: A Study of Leung Ping-kwan’s Clothes Poems”. The Modernist Studies in Asia 2019 Tokyo Conference, Tokyo. Au C. T. (2019, July). "The Invention of Home: A Study of Leung Ping-kwan’s Poetics of the Everyday". The 2019 meeting of the Association of Chinese and Comparative Literature, Changsha. 區仲桃 (2019，5). 〈香港的抒情傳統形態〉。「中國文學抒情和敘事兩個傳統的交響共鳴」國際研討會，香港。 Au C. T. (2018, October). “The Poetics of In-between-ness: A Study of Leung Ping-kwan’s Translations”. The 72nd Annual RMMLA Convention, Wyoming. Au C. T. (2017, July). Alternative Travelogue: A Study of Leung Ping-kwan’s Modernist Novels. The International conference on “Modernisms and Modernities East, West and South: Comparing Literary and Cultural Experiences”, Shanghai. Au Chung To (2017, June). “The Theme of identity formation in 'Clothink'”. ACCL, Hong Kong. Au C. T. (2016, July). “The Desire of the Translator: A Study of Leung Ping-kwan’s Translations”. The XXI Congress of International Comparative Literature Association, Vienna. 區仲桃 (2015，5). 〈聊齋轉世——梁秉鈞詩中的物化主題〉。島和世界──也斯國際學術研討會，香港。 Au Chung-to (2015, April). Reading Western medicine in Hong Kong modernist fiction. The International Conference on The History of Hong Kong: Interpreting History through Culture and Literature, Hong Kong. 區仲桃 (2014，5). <魔幻香港：試比較也斯及韓麗珠魔幻現實主義小說中的母題>。第六屆文學傳播與接受國際學術研討會，花蓮。 區仲桃 (2014，5). <詠物小說：試論詠物傳統在也斯小說中的轉化>。今古齊觀：中國文學中的古典與現代國際學術研討會，香港。 Au Chung To (2013, June). “The Borrowed Non‐place: A Study of temporality and spatiality in Hong Kong modernist fiction before 1997”. ICAS 8 at Macao: The East-West Crossroads, Macao. 區仲桃 (2013，5). 詩經練習：試論梁秉鈞對香港現代主義詩歌抒情性的繼承和轉化。「香港五十年代與今天會議」，香港。 Au Chung To (2012, September). Comprador Culture: A Study of Hong Kong’s Material Culture in Leung Ping-kwan’s works. paper presented in The XIXth Conference of the European Association of Chinese Studies (EACS) at the Université Paris Diderot, Paris/France from 5 Sept. 2012 to 8 Sept. 2012, Paris. 區仲桃 (2012，5). 〈葡萄牙殖民主義的破碎夢想：試論澳門及澳門現代主義詩中失敗的殖民地意識形態〉。第五屆「文學傳播與接受」國際學術研討會，花蓮, 臺灣。 Au Chung To (2011, December). “Food Identity: The Relationship between Food and Identity in Leung Ping-kwan’s Literary Works”. Legacies of Taste: An International Conference on Food Narratives in China, Hong Kong. Au Chung To (2011, October). “Contesting Space in Semicolonial Shanghai: A Study of the Relationship Between Shanghai Modernist Poetry and the Semicolonial City”. 2nd International Conference on Specific Topics in Chinese Studies (STCS), Ljubljana, Slovenia. 區仲桃 (2011，10). 〈文化買辦：試論香港現代主義詩人的特徵〉。第九屆東亞現代中文文學國際學術研討會，首爾, 韓國。 Au Chung-to (2010, August). “Time Difference and Cultural Reception: A Study of Leung Ping-kwan’s Flaneur”. The XIXth Congress of International Comparative Literature Association, Seoul. Au Chung-to (2010, July). “Colonized Modernism: A Study of the Characteristics of Dai Wangshu’s Modernist Poetry”. The XVIII Biennial Conference of the European Association of Chinese Studies, Riga. 區仲桃 (2010，6). <試論馬朗的現代主義>。「中西與新舊──香港文學的交會」，香港。 區仲桃 (2009，1). ＜另類飄移：羅門的 “燈屋”跟“無地方性”的關係＞。2009文化研究年會: 「根源與路徑：台灣文化研究十周年」，台北。 Au Chung-to (2008, September). ‘Devouring the Landscapes: The art of Leung Ping-kwan’s “foodscape” poems’. “From Brazil to Macao: Travel Writing and Diasporic Spaces”, Lisbon. Other conference paper Au C. T. (2022, October). "Georg Brandes and the Development of the Chinese Lyrical Tradition". Brandes Online Workshop Acta Universitatis Carolinae – Philologica, Prague. 區仲桃 (2014，7). 〈與食物對話：試論梁秉鈞食物詩的寫作策略〉。第十屆香港文學節「文學與記憶」研討會，香港。 區仲桃 (2010，6). ＜張冠李戴：羅門夫婦、勃朗寧夫婦詩歌創作比較＞。「羅門、蓉子詩歌創作60年研討會」，海南。 |
| Creative and Literary Works, Consulting Reports and Case Studies Authored play, poem, novel, story 區仲桃 (2004)。 《希臘點點星集》。澳門: 澳門日報出版社。 Translation of other's work Au Chung-to, Jeffrey Michael Clapp, Loi Ho Man (2014). In Other Words : poetry in translation from HKIEd. Hong Kong: HKIED. Au, Chung to , & Tom Rendall (2006). The Collected Poems of Lomen: A Bilingual Edition (with Introduction and Afterword). Taipei: The Liberal Arts Press [文史哲出版社]. |
| All Other Outputs Review of books or of software C. T. Au (2022). Book Review: ZHANG Songjian, Huayu Wenxue Shiwu Jia: Shenmei, Zhengzhi yu Wenhua (Fifteen Writers of Sinophone Literature: Aesthetics, Politics, and Culture). Asian Culture (104-107). Singapore Au Chung-to (2014). Book Review: Liu Yichang and Hong Kong Modernism. Modern Chinese Literature and Culture (on line). Ohio: The Ohio State University. |
Projects
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Hong Kong Modernism in Wenyi Xinchao No consensus has been achieved on when literary modernism began in Hong Kong. Some critics trace the beginning of Hong Kong modernism to the 1950s, while others argue that its roots lie further back. While it is difficult to determine beginning of Hong Kong modernism with precision, it is an indisputable fact that the publication of Wenyi Xinchao [Literary New Wave] in the 1950s by Ma Lang (a.k.a. Ma Boliang), who served as a poet-cum-editor of the magazine, was crucial for the later development of Hong Kong modernism. The relationship between the magazine and modernism has been the focal point for much discussion since then. However, to what extent did the magazine devote to promoting modernism is controversial. For example, while Ma Lang claimed that the magazine was meant to advocate modernism in Hong Kong in the 1950s, a major and regular contributor to the magazine, Lee Wai-Ling, thought otherwise. In the seventh issue of the magazine, Lee remarks that whether the much-used term “modernism” should be considered a catch-all term is still a question that has yet to be answered. Despite the fact that no consensus has been reached about the relationship between the magazine and modernism, it is a common belief that the magazine has had a potent influence on the later development of Hong Kong modernism. Therefore, rather than following along with the current discussion, this proposed project will focus on the following question: What are the elements of modernism to be found in the magazine? Among previous studies it should be noted that only a few have actually investigated the characteristics of modernism. In addition, the recent development of Western modernist discourse has not been taken into account. This project aims to bridge this research gap by examining all fifteen issues of the magazine. Project Start Year: 2023, Principal Investigator(s): AU, Chung To |
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The Lyrical Tradition in Hong Kong from the 1970s through the 1990s 1. To develop the concept of a Hong Kong lyrical tradition by examining lyrical works, which embody the two lyrical themes–lamenting unfulfilled love, and struggling between love and politics–in Hong Kong from the 1970s through the 1990s. 2. To systematically study the chosen lyrical works from two perspectives: their intertwined relationships with popular culture, and a question of identity. 3. To enrich the study of a Chinese lyrical tradition. Project Start Year: 2022, Principal Investigator(s): AU, Chung To 區仲桃 |
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Clicking Hong Kong Literature (Virtual Exhibition) This virtual bilingual exhibition, by showing more than fifty precious publications and manuscripts grouped under five themes, will offer an intricate portrait of the literature of Hong Kong from the early twentieth century till now. Project Start Year: 2020, Principal Investigator(s): AU, Chung To 區仲桃 |
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《東西之間：梁秉鈞的中間詩學論》 梁秉鈞（也斯）、葉輝、張美君和洛楓在《形象香港》再版的前夕進行了一次對談（2012年）。席間，葉輝用 「in-between(中間）的狀態」來概括梁秉鈞游詩的特色，認為後者「在東與西之間，我們上下求索，並不一定是尋找最終的極端，而是在東西之間被拉扯，尋找適合自己言說的方式。」本研究計劃認同詩人作家梁秉鈞作品中呈現了一種「中間狀態」的特色，而且除了在旅遊作品裡帶出了家（出發地點）與目的地之間的話題外，詩人作家在處理其他題材時同樣顯現了對這種「中間狀態」的濃厚興趣。例如，在傳統（包括抒情傳統與詠物傳統）和現代之間、拉美魔幻現實主義與香港魔幻現實主義之間、食物與人之間、家居與旅行之間、巴黎的都市漫遊者（flaneur) 與香港的漫遊者之間。本計劃將對上述提到的不同「中間狀態」進行詳細分析及闡釋， 旨在以書的形式，系統地呈現梁秉鈞作品（詩和小說）裡所包含的「中間詩學」(the poetics of inbetweenness) 。 Project Start Year: 2020, Principal Investigator(s): AU, Chung To 區仲桃 |
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Hong Kong Modernism in Wenyi Xinchao .. Project Start Year: 2019, Principal Investigator(s): AU, Chung To 區仲桃 |
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Reversing Memory Loss: Conceptions of the Hong Kong Lyrical Tradition ... Project Start Year: 2017, Principal Investigator(s): AU, Chung To 區仲桃 |
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A Study of Hong Kong Lyrical Tradition: With Special Reference to Chan K. K. Leonard’s Lyrical Criticism and Leung Ping-kwan’s Lyricism This research project aims at examining key features of conceptions of the Hong Kong lyrical tradition by studying the critical discourse of the lyrical tradition written by Leung Ping-kwan, Chan Wai-ying, Wong King-fai, and Chan K. K. Leonard. Project Start Year: 2016, Principal Investigator(s): AU, Chung To 區仲桃 |
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Leung Ping-kwan’s Literary Works and Hong Kong Modernism Leung Ping-kwan (Ye Si) is one of the most prominent and widely read Hong Kong modernist poets, novelists and critics. However, comparatively few in-depth studies have been conducted on the works of Leung as a modernist writer. I interviewed Leung in 2009, and when Leung was asked whether he would consider himself a modernist, his answer was yes. Despite his self-perception as a modernist, however, only a few scholarly works focus on the direct relationship between Leung’s works and modernism. Instead, Leung’s works are always discussed from various perspectives, such as from the perspectives of ordinary life/things, urbanisation, postcolonialism/colonialism, magical realism, travelogue and Chinese lyrical tradition. This project will use the main corpus of Leung’s works as examples to demonstrate how he brings these apparently disparate but actually connected topics under the umbrella of Hong Kong modernism and helps to enrich the meaning of the literary movement. Project Start Year: 2015, Principal Investigator(s): AU, Chung To 區仲桃 |
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The Empire Travels Back: Postcolonial Writing and Ye Si’s Narrative Works
It has been academically well established that the genre of travel writing, including its production, dissemination and reception, is often closely related to colonialism as a sweeping historical event in the past few centuries. However, most of the research is confined to the study of the genre as an ideological tool ultimately manipulated by the colonizers or the like in the service of the empire. This project challenges this simplistic conception of travel writing as a form of imperial narrative and opens up possibilities of treating the genre from the perspective of the colonized. Focusing on Ye Si’s (也斯) selected narrative works of travel, to name only a few, Cities of Memory, Cities of Fabrication and Postcolonial Affairs of Food and the Heart, it pays particular attention to the form and content of these works, in order to show how the genre can be appropriated as yet another means to writing a postcolonial subject of Hong Kong. It also serves to examine how postcolonial literary studies in Hong Kong can be effectively enriched with this missing piece of travel writing, which makes significant contributions in studying both Ye Si’s and Hong Kong literary tradition as a whole. Project Start Year: 2013, Principal Investigator(s): AU, Chung To 區仲桃 |
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The Borrowed Non-place: A Study of temporality and spatiality in Hong Kong modernist fiction before 1997 The aims of this study are twofold: First, to exhibit the characteristics of the borrowed space through examining the temporality and spatiality embodied in the most representative Hong Kong modernist fictions written during colonial period. Second, to reconsider the notion of “non-place”. Project Start Year: 2013, Principal Investigator(s): AU, Chung To 區仲桃 |
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Reflective Learning of Canons at Practice: A Project Aimed at Lifting the Level of Chinese Language Learning 自學原典的實踐：增進本科學習水平計劃 本計劃旨在透過引入學生自學學科原典之訓練，提升學生的學術水平及自學能力，並嘗試提出研究與教學訓練並重的發展方向。本計劃將分階段有系統地建立中文學系原典書目，並透過舉辦工作坊、交流會，以及推行試點課程，落實對學生自學學科原典的訓練。本計劃一方面嘗試通過建立兼具學術性與實用性 的學科原典的必讀書目，實現以相關學科知識為本位的實際學習操作，並特別著重自學原典對學科知識整合的關鍵作用。另一方面，本計劃也希望藉著研究原典自學者的閱讀接收，制定一套可靠的考核系統，為希望將原典書目列為課程內容的教院導師提供切實可行的指引。通過推行自學學科原典計劃，學員的學科知識發展可望獲得突破性及全方位的提升。 Project Start Year: 2011, Principal Investigator(s): AU, Chung To 區仲桃 |
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Food Identity: The Relationship between Food and Identity in Leung Ping-kwan’s Literary Works In this piece of research my major aim is to develop an innovative and critical approach to the study of Leung Ping-kwan’s literary works by taking the relationship between food and identity into account. The focus is on 1) does food really matter to the formation of identity? 2) To what extent is the identity formed by food different from other kind of identities, namely, national identity and cultural identity? 3) How does food identity embody in Leung’s literary works contribute to the discussion of Chinese modernism at large, Hong Kong modernism in particular? Project Start Year: 2011, Principal Investigator(s): AU, Chung To 區仲桃 |
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Semicolonized Modernism: A Study of Shanghai Modernist Poetry in the 1930s and 1940s In this piece of research my major aim is to examine the uniqueness and characteristics of Shanghai modernist poetry in the 1930s and 1940s by taking the relationship between Shanghai as a semicolonial city and modernism into account. Project Start Year: 2011, Principal Investigator(s): AU, Chung To 區仲桃 |
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香港現代主義與殖民城市的關係 這項研究主要透過分析香港現代主義詩人梁秉鈞、崑南和西西的作品特色達到兩個目的：一、說明香港現代主義跟殖民城市和殖民主義的關係；二、反映香港現代主義跟西方現代主義的基本分別。 Project Start Year: 2010, Principal Investigator(s): AU, Chung To 區仲桃 |
Prizes and awards
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第十六屆香港文學雙年獎（文學評論組） Date of receipt: 24/10/2022, Conferred by: 康樂及文化事務處、香港公共圖書館 |
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學術研究課題獎勵金 是項研究計劃旨在系統地把澳門現代主義詩歌的特徵勾畫出來。為了達到這個目的整個研究會以西方現代主義的特徵作為討論的參照點，分析澳門現代主義的重要詩人陶里、陶空了、流星子、葦鳴及懿靈的詩歌，把澳門現代主義詩歌的特徵整理及歸納出來。 Date of receipt: /3/2014, Conferred by: 澳門特別行政區政府文化局 |