Dr POPOSKI, Zoran
博士
|
Assistant Professor |
Department of Cultural and Creative Arts |
Contact
ORCiD
0000-0002-1694-7341
Phone
(852) 2948 7593
Email
zpoposki@eduhk.hk
Address
10 Lo Ping Road, Tai Po, New Territories, Hong Kong
Scopus ID
58171237000
SDGs
4 - Quality Education
9 - Industry, Innovation and Infrastructure
11 - Sustainable Cities and Communities
12 - Responsible Consumption and Production
13 - Climate Action
16 - Peace, Justice and Strong Institutions
9 - Industry, Innovation and Infrastructure
11 - Sustainable Cities and Communities
12 - Responsible Consumption and Production
13 - Climate Action
16 - Peace, Justice and Strong Institutions
ResearcherID
L-4054-2016
Research Interests
Contemporary art practice and theory, digital art and visual culture, creative artificial intelligence (AI), NFT art, public art, and arts leadership.
Teaching Interests
Creative practice, fine art, digital art and culture, public art, and arts management.
External Appointments
Senior Advisor, Advisory Board on Public Space, City Space Architecture, Bologna, Italy.
MFA Advisor (Studio Art and Theory), Transart Institute, New York and Berlin.
PhD Supervisor (Creative Practice PhD), Transart Institute and Liverpool John Moores University, USA and UK.
Scientific Board Member, The Journal of Public Space, ISSN 2206-9658.
Editor, Vermilion Journal of Literature and Art, ISSN: 2545-4277.
Mentor, Young Entrepreneurs Program, Kids4Kids, Hong Kong.
Personal Profile
Dr Zoran Poposki, MFA PhD FRSA FRAS is an internationally acclaimed transdisciplinary artist, curator and researcher working in the fields of practice-based research, digital visual culture, and arts leadership.
His artistic research has been shown in more than 120 gallery and museum exhibitions, biennials, and festivals worldwide, including in New York, Paris, Berlin, London, Madrid, Prague, Copenhagen, St. Petersburg, Cairo, Hong Kong, etc. His public art projects have been presented on LED video screens, video billboards, posters and billboards in New York, Dublin, Hong Kong, etc. Dr Poposki's curatorial projects have been shown in Hong Kong, UK, Slovenia, Italy, etc.
Awards include: CEC Artslink Award (New York), ArtSlant Prize Showcase Juried Winner (Los Angeles), Global Art Awards Finalist (Dubai, in association with The Wall Street Journal), Rise Art Prize Shorlist (London), Vermont Studio Center Artist Grant (USA), DAAD/Ludwig-Maximilians-Universität ProArt Fellowship (Germany), ID+consonni Sondika (Spain) , etc. Artist residencies include: School of Visual Arts (New York), Wooloo (Berlin), Pacific Northwest College of Art (Portland, OR), Vermont Studio Center (USA), etc.
Education: International Leadership in Visual Arts Management (New York University, University of Deusto, Guggenheim Museum Bilbao), PhD Cultural Studies (EUBA Skopje), MFA New Media (DUK Austria and TI New York).
Research Interests
Contemporary art practice and theory, digital art and visual culture, creative artificial intelligence (AI), NFT art, public art, and arts leadership.
Teaching Interests
Creative practice, fine art, digital art and culture, public art, and arts management.
External Appointments
Senior Advisor, Advisory Board on Public Space, City Space Architecture, Bologna, Italy.
MFA Advisor (Studio Art and Theory), Transart Institute, New York and Berlin.
PhD Supervisor (Creative Practice PhD), Transart Institute and Liverpool John Moores University, USA and UK.
Scientific Board Member, The Journal of Public Space, ISSN 2206-9658.
Editor, Vermilion Journal of Literature and Art, ISSN: 2545-4277.
Mentor, Young Entrepreneurs Program, Kids4Kids, Hong Kong.
Research Outputs
| Scholarly Books, Monographs and Chapters Research book or monograph (author) Poposki, Z. (2009). Prostori na mokta. Skopje: Templum. Chapter in an edited book (author) Todorova, M., & Poposki, Z. (2022). Translating Personal Narratives of Crisis in Graphic Novels. O'Brien, S., & F. M. Federici (Eds.), Translating Crises (65-78). London: Bloomsbury Academic. https://doi.org/10.5040/9781350240117.ch-4 Poposki, Z., & Todorova, M. (2016). Public Memory in Post-Conflict Skopje: Civic Art as Resistance to Narratives of Ethnicity and Disintegration. In D. O'Rawe, & M. Phelan (Eds.), Post-Conflict Performance, Film and Visual Arts (95-112). London: Palgrave Macmillan. Poposki, Z. (2016). Zoran Poposki. In Frangovska, A. & Scoretti, C., Transfiguring (Imago Mundi: Luciano Benetton Collection) (246-247). Ponzano Veneto: Fabrica. Poposki, Z. (2013). Zoran Poposki. Cullen, D., & Grafenauer, P. (Eds.), Interruption: 30th Ljubljana Biennial of Graphic Arts (174-177). London: Black Dog Publishing. Vilic, N., Ivanov, B., Poposki, Z., Gacina, M. & Vangeli, Z. (2011). Bojan Ivanov, Zoran Poposki, Mira Gacina and Zaneta Vangeli. J. Jaksic, N. Vilic, M. Colner & N. Grabar, & V. Tasic, From Consideration to Commitment: art in critical confrontation to society: Belgrade, Ljubljana, Skopje, Zagreb 1990-2010 (566-608). Belgrade, Ljubljana, Skopje, Zagreb: Beograd: Seecult.org, Skopje: Forum Skopje, Ljubljana: Center for Contemporary Arts SCCA, Zagreb: Kurziv - Platform for Matters of Culture, Media and Society. Poposki, Z. (2010). Encounters on the Border. L. Subotic & I. Zivancevic-Sekerus, Book of Proceedings from the 5th International Interdisciplinary Symposium Encounters of Cultures (437-442). Novi Sad: Faculty of Philosophy, University of Novi Sad. |
| Journal Publications Publication in refereed journal Poposki, Z. (2024). Valuing the Virtual: A Semiotic-psychoanalytic Investigation of NFT Art Value and Perception. Cogent Arts and Humanities, 11(1), Article 2430897. https://doi.org/10.1080/23311983.2024.2430897 Poposki, Z. (2024). Corpus-based Critical Discourse Analysis of NFT Art Within Mainstream Art-market Discourse and Implications for the Political Economy of Digital Art. Humanities and Social Sciences Communications, 11, Article 1296. https://doi.org/10.1057/s41599-024-03827-3 Poposki, Z. (2024). Crypto-aesthetics: Towards a New Materialist theory of NFT art. Journal of Visual Art Practice, 1-18. https://doi.org/10.1080/14702029.2024.2393554 Poposki, Z. (2024). Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors. Open Philosophy, 7(1), Article 20240032. https://doi.org/10.1515/opphil-2024-0032 Poposki, Z. (2024). Critique of Reification of Art and Creativity in the Digital Age: A Lukácsian Approach to AI and NFT Art. Open Philosophy, 7(1), Article 20240027. https://doi.org/10.1515/opphil-2024-0027 Poposki, Z. (2024). Elucidating the paradox of sustainable art consumption: an interdisciplinary analysis. Creative Industries Journal, Online First, 1-18. https://doi.org/10.1080/17510694.2024.2313267 Poposki, Z. & Todorova, M. (2024). Mapping Cultural Flows through Contemporary Art in Translation: The Translation(s) Project. Leonardo, 57(1), 57-63. https://doi.org/10.1162/leon_a_02471 Poposki, Z., & Todorova, M. (2023). Performativity and intersemiotic translation in contemporary art: The case of Hong Kong Atlas. Visual Studies. https://doi.org/10.1080/1472586X.2023.2190160 Poposki, Z., & Leung, H. B. I. (2022). Hong Kong as a global art hub: Art ecology and sustainability of Asia’s art market centre. Arts, 11(1), Article 29. https://doi.org/10.3390/arts11010029 Poposki, Z. (2013). Artist’s Project: Hong Kong Atlas. Interventions: the online journal of the Modern Art: Critical and Curatorial Studies (MODA) program at Columbia University, 2(2), 00-00. Poposki, Zoran (2011). Spaces of Democracy: Art, Politics, and Artivism in the Post-Socialist City. Studia Politica: Romanian Political Science Review, XI(4), 713-723. Poposki, Zoran (2011). The Right to the City: Reclaiming the Urban Landscape by Art and Activism. Nyhedsvisen: Public Interfaces, I(1), 6-7. Publication in policy or professional journal Poposki, Z. (2010). Javniot prostor kako kulturno nasledstvo. Kulturen zivot, 1-2, 38-39. |
| Conference Papers Invited conference paper Poposki, Z. (2017, May). The City Alone: Spatial Ontology and Post-human Agency in Chunking Express. Paper presented at Contested Modernity: Space, Place and Culture Symposium, Taipei, Taiwan. Poposki, Z., & Todorova, M. (2016, October). Translating the City: Towards a Model of Intersemiotic Translation. Paper presented at 5th Asia-Pacific Forum on Translation & Intercultural Studies, Honolulu, USA. Poposki, Z., & Todorova, M. (2016, May). Finding Meaning Through Intersemiotic Translation. Paper presented at “Art, Translation, Modern Literature in Chinese” International Conference 「藝術、翻譯與現代中文文學」國際學術研討會, Hong Kong. Poposki, Z. (2016, January). Engagement and Empowerment Through Community-based Art Education in Hong Kong. Paper presented at IAFOR International Conference on Education, Hawaii, USA. Refereed conference paper Poposki, Z. (2025, January). The Case for Quantum Art Education. Paper presented at New Schools of Thought – Critical Thinking and Creative Teaching Conference, California State University Los Angeles USA, Universidad de los Andes Chile | Universitas Katolik Parahyangan Indonesia, Los Angeles, USA. Poposki, Z. (2024, September). How Artificial Intelligence Can Enhance Creativity in Art Education. Paper presented at the INSEA Asian Regional Congress 2024, InSEA (The International Society for Education Through Art), Sichuan Fine Arts Institute (SFAI), School of Arts Education of SFAI in China, and InSEA’s Asia Regional Council (ARC), Japan and China. Poposki, Z. (2024, July). A Corpus-based Analysis Critical Discourse Analysis of the NFT Art Market.. Paper presented at the 7th Annual Conference of The International Art Market Studies Association at the University of Melbourne, Australia. Poposki, Z. (2024, July). Artificial Intelligence Augmented Creativity in Arts Education. Paper presented at the 12th Annual European Conference of Education, School of Oriental and African Studies (SOAS, University of London) and University College London (UCL), London, UK. Todorova, M. & Poposki, Z. (2024, April). “Translating Stories, Transforming Perceptions: Refugee Graphic Narratives as Spaces of Cultural Empathy for Youth.” Paper presented at the 2nd International Conference Translation and Cultural Sustainability: Challenges and New Avenues. University of Salamanca, Salamanca, Spain. Poposki, Z. & Todorova, M. (2023, November). “Performativity and Intersemiotic Translation in Contemporary Art: The Case of Hong Kong Atlas.” Paper presented at the 14th International Conference on the Image. University of San Jorge, Zaragoza, Spain. Poposki, Z. (2023, July). “Ecology and Sustainability of Hong Kong’s Art Market.” Paper presented at 2023 TIAMSA annual conference Towards a Sustainable Art Market. The Association of Art Market Studies and the Université libre de Bruxelles, Brussels, Belgium. Todorova, M. & Poposki, Z. (2021, June). East Asian Cityscapes in Translation. Paper presented at 2021 International Conference on Translation Studies in East Asia: Tradition, Transition, Transcendence, Hong Kong. Poposki, Z. (2020, November). Hong Kong As a Global Art Hub.. [Panel Convenor] Paper Presented at Christie’s Education Global Conference 2020: The Chinese Art Market, London/New York/Hong Kong. Poposki, Z. (2020, September). Intersemiotic Translation of Hong Kong. Paper presented at AAS-in-Asia 2020 organized by the Association for Asian Studies and IAFOR, Kobe, Japan. Poposki, Z., Wood, L., & Todorova, M. (2019, September). Translating New Territories: Approaches to Video Art and Translation. Paper presented at 9th Congress of the European Society for Translation Studies (EST Congress 2019), Stellenbosch University, South Africa. Poposki, Z. (2018, February). Establishing Community-based Arts Education in Hong Kong. Paper presented at The IAFOR International Conference on Education - Dubai 2018, Dubai, UAE. Poposki, Z. (2016, May). Community-based Arts Education in Hong Kong. Paper presented at International Conference on Business, Economics and Social Science & Humanities, Seoul, South Korea. Poposki, Z., & Todorova, M. (2014, September). Translating Space: Hong Kong Atlas. Paper presented at 5th Global Conference Space and Place: Exploring Critical Issues, Oxford, UK. Poposki, Z., & Todorova, M. (2014, January). Performativity and Translation in Hong Kong Atlas. Paper presented at Performativity and Translation International Colloquium, Hong Kong. Poposki, Z., & Todorova, M. (2013, April). Resisting Narratives of Ethnicity and Disintegration through Civic Art. Cities of Memory: performing and media arts in the post-conflict city, Belfast, Nothern Ireland. Poposki, Z. (2013, March). Event and situation in Chen Guang’S Tiananmen paintings. Paper presented at Symposium on event in artistic and political practices, Amsterdam, Netherlands. Poposki, Z., & Dimitrovska, V. (2013, March). Spectacular Power and Identity: contemporary public art in a post-socialist context. Paper presented at Public Art in the Balkans Conference, Sofia, Bulgaria. Poposki, Z. (2011, May). The Right to the City: Reclaiming Public Spaces by Art and Activism. Paper presented at Urban Conflicts Conference: Ethno-national Divisions, States and Cities, Belfast, Northern Ireland. Poposki, Z. (2010, September). Post-socialist public space: the case of Skopje. Paper presented at Cultural Space and Identity in a Post-Socialist Context Conference, Ljubljana, Slovenia. |
| Creative and Literary Works, Consulting Reports and Case Studies Painting, sculpture, drawing, photograph Poposki, Z. (2020). Pink: Psyche and Cupid’s Kiss [Painting]. Recommended Artist from the Jury / Painting Category in Premio Combat Prize 2020. Livorno, Italy: Premio Combat Prize 2020. Poposki, Z. (2017). Walking (Joseph Beuys). Artwork featured in The Guardian newspaper, selected by Tate Modern photography curator Shoair Mavlian.. London, UK: The Guardian. Poposki, Z. (2016). The Wrestler (glitch gif). Juried winner: ArtSlant 9th 2016 ArtSlant Prize Showcase (New Media Art). New York Poposki, Z. (2016). Produced original commissioned artwork for inclusion in the Benetton Foundation art collection and featured in a hardcover book publication. Crisis (Transfiguring). Italy Poposki, Z. (2012). Illustrations for publication. Kulturen zivot (98-105). Skopje Film, video Poposki, Z. (2022). Peace Piece. Artificial Intelligence (AI) film screened in the official programme of Digital Art Month Paris organized by CADAF (Crypto and Digital Art Fair). Paris, France Poposki, Z. (2022). Ruined World: An AI Elegy. Artificial Intelligence (AI) film screened in the official selection of international film festivals in the US, Ireland, Lithuania, Poland, and the UK. Los Angeles, Dublin, NYC, Vilnius, Warsaw, London Poposki, Z. (2020). Crisis: Video art screened at Art Rights Prize 2020 Finalists Exhibition and at the Not (So) Short Fest. USA and Italy: Ely Center of Contemporary Art (New Haven, CT) and Art Rights Prize 2020 (Italy and online). Poposki, Z. (2020). Rain: Video art screened at group exhibition Perspectives 2021 in South Korea and the Videoformes 2021 International Digital Art Festival in France. South Korea and France: CICA Museum (South Korea) and Videoformes (France). Poposki, Z. (2020). The City Alone (2020 glitch edit:) Video art screened at International Festival of Intermedia Art 2020. JCCAC, Hong Kong Poposki, Z. & Wood, L. (2017). Translation(s) III: Bodies in Transit. Slovenia, UK.: Screenings at International Festival of Contemporary Art ArtStays in Slovenia and at the Centre for Contemporary Chinese Art in Manchester, UK.. Poposki, Z. (2016). Participation in curated international exhibition Both Sides Now III: Final Frontiers. Screened at: Institute of Contemporary Arts London, Exeter Phoenix in Exeter, Phoenix Cinema and Arts Centre in Leicester, Fabrica in Brighton, Boom in Hong Kong, and 5th Taiwan International Video Art Exhibition in Taipei.. UK, Hong Kong and Taiwan: Videotage (Hong Kong) and videoclub (UK). Performance and participation in exhibits Poposki, Z. (2022). Artificial Intelligence (AI) non-fungible token (NFT) art exhibited at CADAF Crypto and Digital Art Fair. Web3 NYC Gallery. New York, USA: CADAF Crypto and Digital Art Fair. Poposki, Z. (2021). Brotherhood and Unity in Space. NFT art exhibited at Ars Electronica .ART Gallery x VR-All-Art Present: ConcreteHouse.art VR Exhibition. Ars Electronica. Virtual Reality exhibition https://vrallart.com/vr-exhibitions/ec/concrete_house/ Poposki, Z. (2021). NFT art exhibited at CADAF Online international art fair. Paris, France: Crypto and Digital Art Fair (CADAF). Poposki, Z. (2020). Ice Cream [Digital Painting]. Exhibited in ImagoRevolution: In the time of Covid19.. Online and Switzerland: ImagoRevolution and Nellimya Arthouse. Poposki, Z. (2020). Utopia [Mixed media work on paper]. Exhibited in What Now? (online exhibition). New Haven, CT, USA: Ely Center of Contemporary Art. Poposki, Z. (2019). Series of artworks exhibited in international fine art biennial XII Cairo Biennale. Cairo Biennale. Cairo, Egypt Poposki, Z. (2019). Curated the art exhibition A Foreign Land, A New Home: Shaun Tan's The Arrival. Hong Kong: Hong Kong Arts Centre. Poposki, Z. & Wood, L. (2018). Translation(s) I-III: Translating New Territories. International curated video project and original artworks. Osage Gallery Hong Kong. Hong Kong Poposki, Z. (2017). Solo exhibition. National Gallery of Macedonia. Skopje, Macedonia: National Gallery of Macedonia and Ministry of Culture of the Republic of Macedonia. Poposki, Z. (2016). Paintings and prints exhibited at the Asia Contemporary Art Show. Hong Kong: Asia Contemporary Art Show. Poposki, Z. (2016). Participation in main exhibition of international art festival. ArtStays International Festival of Contemporary Art. Slovenia Poposki, Z. (2016). Screening of video artwork in two group exhibitions in USA and Macedonia. Us, Them & You/ In the First Person. Barre, VT, USA and Skopje, Macedonia: Studio Place Arts Gallery and National Gallery of Macedonia. Poposki, Z. (2016). Concert screening of produced original video artwork created for commissioned music by composer Austin Yip.. Landscape Beyond: A Journey through Chinese Music, Western Music and Chinese Calligraphy and Painting. Hong Kong: Jockey Club Creative Arts Centre. Poposki, Z. (2016). Curated an exhibition of community-based art. Making Art with the Community. Hong Kong: Anita Chan Lai-ling Gallery. Wood, L. J., & Poposki, Z. (2016). Translation(s) I/II 2013-2015: Translating the City. 1) Zoran Poposki - Hong Kong Atlas, DVD video/stereo, 3:58, 2013 and 2) Laurence Wood – Revolution, DVD video/stereo, 2:08, 2015.. Hong Kong: International Video Project. International Curated Video Project, Videotage Booth, Art Basel, H.K.. Poposki, Z. (2015). Participation in international art festival. DMZ Pilgrimage International Art Festival. South Korea Poposki, Z., & Wood, L. (2015). Translation(s) II: Translating the City. International curated video project and original video work.. ArtBasel Hong Kong, International Art Festival ArtStays, Ptuj, Slovenia and Videotage, Hong Kong.. Slovenia, Hong Kong Poposki, Z. (2015). Translating Hong Kong. Solo exhibition. Hong Kong: CCA Art Gallery, HKIEd. Wood, L., & Poposki, Z. (2014). Translation(s): international curated video project and original video work. Not Festival 2013 Copenhagen, ART STAYS 11th Festival of Contemporary Art Ptuj, Chazou Gallery Kamloops BC, 3D Gallery Trento Venice. Denmark, Slovenia, Canada, Italy Poposki, Z. (2014). Screening of video work. Presented at international festivals: Fonlad Festival, Pavilhao Centro de Portugal, Coimbra and Videopoesia en Espacio Plan, Buenos Aires, Argentina. Portugal and Argentina: Proyector International Video Art Festival. Poposki, Z. (2013). Exhibition in Biennial. 30th Biennial of Graphic Arts Ljubljana. Ljubljana, Slovenia: International Centre for Graphic Arts (MGLC), Museum of Modern Art and Museum of Contemporary Art Metelkova. Poposki, Z. (2013). Hong Kong Atlas 3. Viridian's 24th Annual International Juried Exhibition. New York: Viridian Artists Inc.. Poposki, Z. (2013). Hong Kong Atlas. Wood, L. & Poposki, Z., Translation(s). Hong Kong: HKIEd/HK Science & Technology Parks. Poposki, Z. (2012). Portrait of the Artist as a Cultural Worker. No-Festival of Video-art and Animation. Ufa, Russia Poposki, Z. (2012). Public space project archive. Urban dreams. Plovdiv, Bulgaria: Centre for Contemporary Art. Poposki, Z. (2012). Portrait of the artist with black framed glasses. NOT Festival. Copenhagen, Denmark: Dansehallerne. Poposki, Z. (2012). Screening of video work. Connecting the Dots. British Columbia, Canada: Kamloops Art Gallery and Thompson Rivers University Gallery. Poposki, Z. (2012). Screening of video artwork. 10th International Festival of Contemporary Art ART STAYS. Ptuj, Slovenia: KUD ART STAYS. Poposki, Z. (2012). Screening of video artwork. Video in Progress 3: Fields of the Performative. Slovenj Gradec, Slovenia: Koroska Art Gallery. Poposki, Z. (2011). Screening of video work. Boskovic, B., Not so Distant Memory. Wilmington DE, USA: Delaware Center for the Contemporary Arts. Poposki, Z. (2011). Screening of video work in public space. Interference-Schaduwspel Festival of Media Art. Breda, Netherlands Poposki, Z. (2011). Screening of video work. CYBERFEST 11 International Cyber Art Festival. St. Petersburg, Russia Poposki, Z. (2011). 1000 Alexandras. Skopje: between science and fiction. Skopje: Open Graphic Studio & City Museum. Poposki, Z. (2011). Screening of video work. Festival Internacional de Videoarte Proyector. Madrid, Spain: Off Limits. Poposki, Z. (2011). The Right to the City. The Joy of Living. Podgorica, Montenegro: , Art Pavilion. Poposki, Z. (2011). Screening of video work. Brief Histories. Sharjah, United Arab Emirates: University of Sharjah. Poposki, Z. (2011). Posters in the streets of Dublin to promote creativity during the Irish General Election. Upstart public art campaign. Dublin, Ireland: Upstart Collective. Poposki, Z. & Hindley, V. (2011). Working Conversation. Lecture-performance. Vienna, Austria: SOHOinOttakring and Thyssen-Bornemisza 21 Art Contemporary. Poposki, Z. (2011). Screening of video work. Boskovic, B., Not so distant memory. New York, USA: CAA College Art Association 2011 Annual Conference Media Lounge. Poposki, Z. (2011). Self-portrait (digital print). MYSELF: A Survey of Contemporary Portraiture. Reno, USA: Sheppard Fine Arts Gallery, University of Nevada. Poposki, Z. (2010). By Way of Introduction. Performance and installation. Portland, OR: Pacific Northwest College of Art. Poposki, Z. (2010). Screening of video work. III Festival Internacional de Videoarte. Camaguey, Cuba Poposki, Z. (2010). Public screening on giant HD Format LED screen. Sanctioned Array/Big Screen Project. New York: SpecifyOthers. Poposki, Z. (2010). Exhibition of photo documentation. Spaces In-between. Berlin, Germany: ConcentArt. Poposki, Z., & Gjorgievski, G. (2010). Portrait of the Artist as a Cultural Worker. Performance in public space (main city square) documented through photography and video. Skopje Gjorgievski, G., & Poposki, Z. (2010). Exhibition of artwork. Curatorial Workshop (curatorial project by Goran Gjorgievski). Ljubljana, Slovenia: City Art Museum. Poposki, Z. (2010). Screening of video work. Proyector 2010. Madrid, Spain: Espacio Menosuno. Poposki, Z. (2010). Digital prints. DLUM Biennial: Winter Salon. Skopje: Museum of Contemporary Art. Translation of other's work Poposki, Z., & Todorova, M. (2011). Translation of Raymond Carver's Beginners.. Skopje: Vermilion. Poposki, Z. (2011). Translation of Rachel Trezise's book Fresh Apples. Skopje: Vermilion. Engineering, architectural, graphic designs Poposki, Z. (2013). Cover design of Iren Nigg's book "Zboroobrazuvajki gi mestata". Skopje: Vermilion. |
| All Other Outputs Review of books or of software Poposki, Z. (2022). Review of The Asian Modern, by John Clark. Journal of the Society for Asian Humanities (JOSAH) (387-389). Other outputs Poposki, Z. (2021). Curation During the Time of Covid: What's Next? Presentation in a Panel.. New Haven, CT: Presentation in a Panel held at the Ely Center of Contemporary Art. Poposki, Z. (2020). Invited Speaker at the International Forum: Crossing Border | Border Crossing | International Festival of Intermedia. JCCAC, Hong Kong Ahrens, K., Banerjee, B., & Poposki, Z. (2019). In conversation: Professor Kathleen Ahrens with Dr. Bidisha Banerjee and Dr. Zoran Poposki. Hong Kong: Pao Galleries, Hong Kong Arts Centre. Poposki, Z., Todorova, M. & Huang, Y. (2017). The Moving Homeland: Reimagining Hong Kong Culture While Translating Macedonian Poetry. Hong Kong: Kowloon City Book Fair. Poposki, Z. (2017). ArtStays Artist Talk: Zoran Poposki. Ptuj, Slovenia: ArtStays International Festival of Contemporary Art. Poposki, Z. (2016). Making Art with the Community (FLASS Seminar). Hong Kong: Department of Cultural and Creative Arts, Hong Kong Institute of Education. Hindley, V., & Poposki, Z. (2015). Social Practice Lab: Artist Talk with Victoria Hindley moderated by Dr Zoran Poposki. Hong Kong: Hong Kong Art Center. Poposki, Z. (2015). Memento: Visual Memory and Monumental Amnesia (Invited Lecture). Hong Kong: Faculty of Arts, Chinese University of Hong Kong. Lee, L., Poposki, Z., & Au, S. (2015). Hong Kong Book Fair Invited Guest Speaker Series. Hong Kong: Hong Kong Book Fair. Poposki, Z. (2015). Visualizing Memory and History (Invited Lecture). Hong Kong: Hong Kong Baptist University, English Language and Literature Department. Poposki, Z. (2013). Research seminar on Translation and Transcoding in Contemporary Artistic Practice. Hong Kong: Department of Cultural and Creative Arts, Hong Kong Institute of Education. Poposki, Z. (2012). Research seminar on Art in Translation (Translation Seminar Series). Hong Kong: Centre for Translation, Hong Kong Baptist University. Poposki, Z. (2012). Artist Talk on Making Public: Civic Art and Public Discourse (OxTalk series). Macau: Ox Warehouse. Hindley, V., & Poposki, Z. (2012). Research Seminar on Artistic Praxis as the Open Pursuit of Questions (in Place of Conclusions). Potsdam - Babelsberg, Germany: Institut für künstlerische Forschung, Hochschule für Film und Fernsehen (HFF) "Konrad Wolf". Poposki, Z. (2011). Artist Talk on Spaces of Power. Ptuj, Slovenia: ARTSTAYS, Dom Kulture. |
Projects
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AI-driven Creativity in Art Education The integration of artificial intelligence (AI) in art education has the potential to transform creative pedagogy, yet the impact of AI-driven creativity on the artistic process remains underexplored. This project proposes an interdisciplinary theoretical framework synthesizing insights from educational psychology, philosophy of art, and AI ethics to elucidate the paradox of AI-driven creativity in art education. The research questions are: (1) How does AI-driven creativity influence the artistic process in art education? (2) To what extent can AI foster or hinder creativity in art students? (3) How can art educators navigate the ethical implications of AI-driven creativity? Project Start Year: 2023, Principal Investigator(s): POPOSKI, Zoran |
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Hong Kong Art Deco: Theatre buildings and the rise of modern cinema in transforming the city's socio-cultural landscape This research argues that Art Deco, a modern architectural style, can be understood as a form of entertainment and demonstration of resistance of the colonized in early twentieth century Hong Kong. The project ultimately aims at examining the reach of Art Deco into everyday life of Hong Kong in the form of architecture and cinema, critique the dynamics between the dominated-subjugated in colonial Hong Kong, and offer a new way to conserve architectural heritage through emphasizing its aesthetic and sociocultural implications. Project Start Year: 2020, Principal Investigator(s): LAU, Leung Kwok Prudence 劉亮國 (POPOSKI, Zoran as Co-Investigator) |
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“One City One Book Hong Kong, 2018-19: Shaun Tan’s The Arrival.” This project funds Hong Kong's first ever One City One Book, a community wide reading initiative with research, teaching and knowledge transfer elements. Project Start Year: 2018, Principal Investigator(s): BANERJEE, Bidisha (POPOSKI, Zoran as Co-Investigator) |
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Translating New Territories. International Visual and Interdisciplinary Arts project Production of new artworks including paintings, drawings and prints, exploring gestural marks and colour saturation, typically from the field of painterly abstraction, juxtaposed with thematic figuration, and how these can co-exist to create new and original expressive opportunities and visual experiences, alongside co-curation of artworks by other international video artists for exhibition and screening via significant international venues. Project deliverables include international public exhibitions, academic presentations and printed documentary bookwork Project Start Year: 2015, Principal Investigator(s): WOOD, Laurence James (POPOSKI, Zoran as Collaborator) |
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Making Art with the Community Suppported by the Dean's Research Fund, FLASS, EdUHKThe project aims to promote participatory community-based art by engaging visual arts students, visual artists and social services organizations in addressing community development issues through the medium of artmaking. It furthermore aspires to raise awareness about the role of community-based art among the general public of Hong Kong. Project Start Year: 2015, Principal Investigator(s): POPOSKI, Zoran |
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Mapping Social Cultural Practice: A Regional Communities-of-practice Approach to investigating Learning through Participatory Art .. Project Start Year: 2015, Principal Investigator(s): POPOSKI, Zoran |
Prizes and awards
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Fellow of the Royal Asiatic Society The Society was established in 1823 and became "the main centre in Britain for scholarly work on Asia". Past and current fellows include leading scholars, writers, and former politicians and governors who have made significant contributions to Asia and their respective fields. Date of receipt: 31/3/2024, Conferred by: Royal Asiatic Society of Great Britain and Ireland |
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Finalist Date of receipt: 1/6/2023, Conferred by: International Dystopia Film Festival, Istanbul, Turkiye |
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Finalist, Experimental Film & Video Date of receipt: 25/4/2023, Conferred by: 56th World-Fest Houston International Film Festival, Houston TX, USA |
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Finalist, International Short Film & Video Competition Date of receipt: 19/4/2023, Conferred by: 53rd USA Film Festival, Dallas TX, USA |
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Abstract Award Winner Date of receipt: 19/11/2022, Conferred by: Experimental Film Odyssey International Film Festival, USA |
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Best Poetry Short Date of receipt: 1/10/2022, Conferred by: Make Art Not Fear International Film Festival, Porto, Portugal |
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Honorable Mention Date of receipt: 21/6/2022, Conferred by: Splice Film Fest, Film Noir Cinema Brooklyn, New York, USA |
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Honorable Mention Date of receipt: 6/4/2022, Conferred by: London International Monthly Film Festival, London, UK |
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Art Rights Prize, Finalist Zoran Poposki FRSA has been selected as Finalist Artist in the inaugural edition of the Art Rights Prize 2020 in Italy, juried by a panel of gallerists, collectors, and art festival directors in Italy and Spain. Date of receipt: /12/2020, Conferred by: Art Rights, Italy |
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Premio Combat Prize Recommended Artist from Jury Dr Poposki's painting has received Recommendation from the Jury of the Premio Combat Prize 2020, composed of Italian museum directors and curators, from a pool of more than 1,400 artworks worldwide. Date of receipt: /6/2020, Conferred by: Premio Combat Prize, Italy |
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Fellow of the Royal Society of Arts Fellowship of the Royal Society of Arts (FRSA) is an award granted to individuals that the Royal Society of Arts (RSA) judges to have made outstanding achievements to social progress and development. In the official language of the Fellowship Charter, the award recognizes the contributions of exceptional individuals from across the world who have made significant contributions relating to the Arts, Manufacture and Commerce. Fellowship is only awarded to those who can demonstrate that they have made significant contributions to social change, and support the mission of the RSA. Previous Fellows have included Stephen Hawking, Charles Dickens, Karl Marx, Benjamin Franklin, and Nelson Mandela. Date of receipt: /5/2019, Conferred by: RSA The Royal Society of Arts, London |
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2018 Rise Art Prize Shortlist The regional judges panel included: Audrey Yeo (Founder and Director of Yeo Workshop Gallery, Singapore), Emilya Colliver (Founder and Director of Art Pharmacy Consulting and Art Pharmacy online, Australia), Nathalie Johnston (Founder and Director of Myanm/art, Myanmar), Amelia Abdullahsani (curator, art advisor and collector, CEO of the advisory firm Ameliorate International, UK), Alice Russotti (researcher, Singapore), Mandy d'Abo (Founder and Director of Cat Street Gallery, Hong Kong), and Vicky Xu (Founder and CEO of Areteos Art Consultancy, Hong Kong). Date of receipt: /1/2018, Conferred by: Rise Art, London |
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2017 Global Art Awards Finalist, Painting The Global Art Awards, to be presented on 17 November 2017 at the Burj Khalifa, Armani Hotel Dubai - are the international Awards for the Visual Arts. They were created to honor and generate public recognition of the achievements and positive contributions of artists, galleries, and art professionals worldwide. Global Art Awards judges include some of the world's most respected art professionals, art collectors, gallery owners, art critics, art entrepreneurs and local high profile society, including members of the Middle East Art Collector Association. Date of receipt: /11/2017, Conferred by: The Middle East Art Collector Association in association with The Wall Street Journal |
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9th 2016 ArtSlant Prize Showcase Juried winner Artist Zoran Poposki's work has been selected as a Juried winner in the NEW-MEDIA Category of the ArtSlant 9th 2016 ArtSlant Prize Showcase competition, by a jury of gallerists in Miami, New York, and San Juan. The jury for the prize included: Chelsea Guerdat (Director of Operations, Apexart), Andrew Lee (Assistant Director, Sperone Westwater Gallery, New York), and Agustina Ferreyra (director and owner, Galeria Agustina Ferreyra, San Juan). The artwork is a glitch gif based on Poposki's drawing from the Theoria series, based on a mural by Delacroix. Date of receipt: 21/11/2016, Conferred by: ArtSlant |
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ArtSlant Showcase Winner ArtSlant is the #1 Contemporary Art Network worldwide Date of receipt: /6/2015, Conferred by: ArtSlant |
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Dean's Research Fund Grant Date of receipt: /4/2015, Conferred by: FLASS, Education University of Hong Kong |
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VSC Artist Grant The Vermont Studio Center is the largest international artists' and writers' Residency Program in the United States. Date of receipt: 12/3/2013, Conferred by: Vermont Studio Center, Vermont, USA |
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ArtSlant Showcase Winner ArtSlant is the #1 online Contemporary Art Network worldwide. Date of receipt: /1/2012, Conferred by: artslant.com |
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ProArt Scholarship Date of receipt: /6/2011, Conferred by: DAAD/Ludwig-Maximilians-Universität |
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CEC ArtsLink Award ArtsLink Residencies offers artists and arts managers from eligible overseas countries a five-week residency at an established, non-profit arts organization in the US. The program is designed to create opportunities for artists and communities across the US to share artistic practices with artists and arts managers from abroad and engage in dialogue that advances understanding across cultures. Through a multi-faceted program of cultural exchange, CEC ArtsLink serves to create and sustain constructive, mutually beneficial relationships between the US and 37 countries and regions. Working with artists, arts organizations and community-based institutions, CEC ArtsLink provides an essential structure for ongoing dialogue between the US and these formerly isolated cultures. Date of receipt: /9/2010, Conferred by: CEC Artslink, New York, USA |
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Special Mention Date of receipt: /6/2009, Conferred by: iD+consonni Sondika 09, Basque Country, Spain |
Knowledge Transfer Activities
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Staff Engaged as Professional Consultants or Members of External Advisory Bodies City Space Architecture, Bologna, ItalyDate: 2021-01-01 The Journal of Public Space (ISSN 2206-9658)Date: 2023-11-01 Kids4Kids, Hong KongDate: 2024-01-01 |