Scholarly Books, Monographs and Chapters
Lei, Chin Pang (2022). Sword-wielding and gun-shooting women: Gender and post-colonial Hong Kong in Wong Kar-wai's films. Steven GERRARD, Renée MIDDLEMOST, Gender and action films 1980-2000: Beauty in motion (139-153). Emerald Publishing Limited. https://doi.org/10.1108/978-1-80117-506-720221010 Lei, Chin Pang (2022)。 一個賭城的空間政治：澳門的城市景觀、保育運動與本土身份。楊鳴宇及林仲軒等， 澳門政經二十年 (63-88)。五南圖書出版股份有限公司。 https://julac.hosted.exlibrisgroup.com/primo-explore/search?query=any,contains,991018309859603410&vid=EDUHKFind@EdUHK Library Lei, Chin Pang (2020). Spatial politics in an eastern casinopolis: Urban space, power and resistance in Macau. Meng U IEONG, Macau 20 years after the handover: Changes and challenges under “One Country, Two Systems” (20-35). Routledge. https://doi.org/10.4324/9780429323157-4 Lei, Chin Pang (2019)。 夢伴此城：梅艷芳與香港流行文化。三聯書店。 https://julac.hosted.exlibrisgroup.com/primo-explore/search?query=any,contains,9911418151803406&vid=EDUHKFind@EdUHK Library Lei, Chin Pang (2018)。 「人生客路永沒平」：許鞍華的旅程電影與香港意識。卓男, 吳月華， 許鞍華・電影四十 (46-57)。三聯書店。 Lei, Chin Pang (2018)。 在城市犯罪，在江湖闖盪：林青霞在王家衛電影中的性別形象。香港國際電影節協會， 雲外笑紅塵：林青霞 (88-93)。香港國際電影節協會。 Lei, Chin Pang (2018)。 隱形澳門：被忽視的城市與文化。遠足文化。 Lei, Chin Pang (2017)。 梅艷芳：從藝人變成文化符號。卓男, 蒲鋒， 群芳譜：當代香港電影女星 (102-113)。三聯書店。 https://julac.hosted.exlibrisgroup.com/primo-explore/search?query=any,contains,9910454668203406&vid=EDUHKFind@EdUHK Library Lei, Chin Pang (2017)。 用二十年了解一種電影：我對主流港片的懺悔錄。張偉雄， 戀戀光塵：我和電影的二三事2 (38-55)。香港電影評論學會。 https://julac.hosted.exlibrisgroup.com/primo-explore/search?query=any,contains,9911161340503406&vid=EDUHKFind@EdUHK Library 李展鵬、湯梅笑、楊穎虹、廖子馨和盧傑樺 (2015)。 書寫我城：澳門文學補充教材（初中篇）。教育暨青年局。 https://www.dsedj.gov.mo/crdc/course/teaching_resource.htmpublished version
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Journal Publications
Lei, Chin Pang (2024). Stories about somewhere else: Mobility and ‘spatial others’ in Hong Kong cinema. Asian Studies Review, 48(3), 467-484. https://doi.org/10.1080/10357823.2023.2244156 Lei, Chin Pang (2024). Vicissitudes of the underworld: Spatiality and political discourse in Hong Kong gangster films. Journal of Cinema and Media Studies, 63(4), 30-52. https://doi.org/10.1353/cj.2024.a934546 Lei, Chin Pang (2024). ‘Take the longest way to cross the street’: Mobile women in Wong Kar-wai’s films. Gender, Place & Culture, 31(5), 595-613. https://doi.org/10.1080/0966369X.2023.2228510 Lei, Chin Pang (2023). One master, many identities: Kung fu and history in the films about Ip Man. Asian Journal of Social Science, 51(3), 155-161. https://doi.org/10.1016/j.ajss.2023.02.003 Lei, Chin Pang (2022). The memories of journeys: Spatialization of time in Wong Kar-wai’s nostalgic films. Arts, 11(4), Article 72. https://doi.org/10.3390/arts11040072 Lei, Chin Pang (2021). ‘Indecent’ women and gendered memory: Reflective nostalgia in Hong Kong cinema. Asian Journal of Communication, 31(3), 163-178. https://doi.org/10.1080/01292986.2021.1913617 Lei, Chin Pang (2019). “I hate to pull a bullet out of my body”: Crisis-ridden men and postcolonial identity in Wong Kar-Wai's cinematic Hong Kong. Interventions, 21(3), 407-422. https://doi.org/10.1080/1369801X.2018.1558092 Lei, Chin Pang (2016)。 香港有個黑社會：香港黑幫片中的政治意識。 電影欣賞，168-169，88-93。
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